LISA DOLBY CHADWICK
I HAVE BEEN VERY LUCKY TO COLLABORATE WITH DESIGNERS AND ARCHITECTS FOR THREE DECADES.
When I work with the best designers, they realize the great value that art plays in elevating a space. That it is not mere decoration but something much more meaningful that should provide an element of depth and spirit to a room.
Le CHEMIN DU CERF 2020 | ÉRIC ANTOINE | AMBROTYPE | 9.5 x 12 INCHES
GLORIA with BLUE REFLECTION, 2020 | ANN GALE | OIL on MASONITE, 16 x 12 INCHES
IN THE DESIGN PROCESS, I REALIZE THERE IS SO MUCH LOVE AND THOUGHT THAT GOES INTO THE SCALE AND MATERIALS OF A ROOM –
decisions that have been painstakingly made over time. Sometimes those decisions might be made with existing art in mind. Sometimes the reverse is true. Either way, the art should have an exquisite dialogue with the space.
BREAKFAST on the GRASS, 2020 | ALEX KANEVSKY | OIL on LINEN | 60 x 60 INCHES
PIROUETTE, 2019 | TOM LIEBER| OIL on CANVAS | 72 x 60 INCHES
BLACK CRESTED POLISH, 2010 | BETH MOON | PLATINUM / PPALLADIUM PRINT | 20 x 16 INCHES (edition of 9)
MY GOAL IS ALWAYS THAT THE CLIENT FEELS A VISCERAL REACTION AND CONNECTION TO THE WORK OF ART.
Like a great poem, it can be a doorway into something else. The spirit of play, beauty, contemplation or inspiration. That the art creates energy, tells a story – a sort of additional window into how one might experience a room.
I am waiting for that moment when I know the client loves the art and when we look at it in the room we all feel like jumping up and down. That is pure magic.
UNSPOKEN 1508, 2016 | BILL ARMSTRONG | CHROMOGENIC PRINT |20 x 24 (edition of 10), 30 x 36 (edition of 5), 40 x 48 INCHES (edition of 5)
Ultimately my goal is to help collectors find art that they love that elevates their space and in doing so – elevates their life.
CERVEAUX XX, 2019 | ÉRIC ANTOINE | AMBROTYPE | 20 X 16 INCHES
NIGHT AND DAY, 2019 | SHERIÉ FRANSSEN | OIL on CANVAS | 80 x 70 INCHES